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Acoustic Principle | Pressure Gradient |
Active Electronics | JFET impedance converter |
Capsule | 0.50" |
Polar Pattern | |
Address Type | End |
Frequency Range | 40Hz - 20kHz |
Output Impedance | 200Ω |
Maximum SPL | 134dBSPL |
Sensitivity | -38.0dB re 1 Volt/Pascal (12.60mV @ 94 dB SPL) +/- 2 dB @ 1kHz |
Equivalent Noise Level (A-weighted) | 20dBA |
Power Options | |
Weight | 288.00g |
Dimensions | 65.00mmH x 102.00mmW x 170.00mmD |
Output | |
Warranty | 1 year with free extension to 10 years following registration here |
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- Broadcast sound quality
- Low noise circuitry
- Internal rechargeable lithium battery, supplying over 150 hours operation
- Fully charged in under two hours via MicroUSB
- Rugged metal construction
- Convenient digital switching
- High Frequency Boost
- High Pass Filter (Flat/75Hz)
- PAD (-10db)
- MicroUSB cable included
- 10 year extended warranty when you register your microphone
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Acoustic Principle | Line Gradient |
Capsule | 0.50" |
Polar Pattern | |
Address Type | End |
Frequency Range | 20Hz - 20kHz (selected HPF @75Hz) |
Output Impedance | 200Ω |
Maximum SPL | 135dBSPL |
Sensitivity | -32.0dB re 1 Volt/Pascal (25.00mV @ 94 dB SPL) +/- 2 dB @ 1kHz |
Equivalent Noise Level (A-weighted) | 16dBA |
Power Options | |
Weight | 126g |
Dimensions | 225mmH x 22mmW x 22mmD |
Output | |
Warranty | 1 year with free extension to 10 years following registration here |
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Acoustic Principle | Line Gradient |
Active Electronics | JFET impedance converter |
Capsule | 0.50" |
Address Type | End |
Frequency Range | 40Hz - 20kHz (selected HPF @80) |
Output Impedance | 200Ω |
Maximum SPL | 134dBSPL |
Maximum Output Level | 6.9mV (@ 1kHz, 1% THD into 1KΩ load) |
Sensitivity | -32.0dB re 1 Volt/Pascal (20.00mV @ 94 dB SPL) +/- 2 dB @ 1kHz |
Equivalent Noise Level (A-weighted) | 14dBA |
Weight | 85g |
Dimensions | 100mmH x 75mmW x 170mmD |
Warranty | 1 year with free extension to 10 years following registration here |
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Acoustic Principle | Pressure Gradient |
Active Electronics | JFET impedance converter |
Capsule | 0.50" |
Polar Pattern | |
Address Type | End |
Frequency Range | 40Hz - 20kHz |
Output Impedance | 200Ω |
Maximum SPL | 143dBSPL |
Sensitivity | -32.0dB re 1 Volt/Pascal (25.00mV @ 94 dB SPL) +/- 2 dB @ 1kHz |
Equivalent Noise Level (A-weighted) | 12dBA |
Power Options | |
Weight | 300g |
Dimensions | 102mmH x 118mmW x 100mmD |
Output | |
Warranty | 1 year with free extension to 10 years following registration here |
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Acoustic Principle | Pressure Gradient |
Active Electronics | JFET impedance converter |
Capsule | 0.50" |
Address Type | End |
Frequency Range | 40Hz - 20kHz |
Output Impedance | 200Ω |
Maximum SPL | 134dBSPL |
Sensitivity | -38.0dB re 1 Volt/Pascal (12.60mV @ 94 dB SPL) +/- 2 dB @ 1kHz |
Equivalent Noise Level (A-weighted) | 18dBA |
Weight | 116g |
Dimensions | 134mmH x 80mmW x 115mmD |
Warranty | 1 year with free extension to 10 years following registration here |
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Acoustic Principle Line Gradient Active Electronics JFET impedance converter Capsule 0.55" Polar Pattern Address Type End Frequency Range 20Hz - 20kHz (selected HPF @75Hz/150Hz) Output Impedance 200Ω Maximum SPL 133dBSPL Maximum Output Level 7.7dBu (@ 1kHz, 1% THD into 1KΩ load) Sensitivity -33.6dB re 1 Volt/Pascal (21.20mV @ 94 dB SPL) +/- 2 dB @ 1kHz Equivalent Noise Level (A-weighted) 14dBA Power Options Weight 122g Dimensions 111mmH x 66mmW x 170mmD Output Warranty 1 year with free extension to 10 years following registration here
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The SoundField by RØDE NT-SF1 is a peerless ambisonic microphone that captures broadcast quality 360° surround sound (with height) in A-Format™ on four separate tracks. It is the first collaboration between the pioneering ambisonic brand SoundField (which invented the first commercial ambisonic microphone) and RØDE Microphones.
Precision manufactured from solid brass, the NT-SF1 uses four RØDE TF-45C ½” true-condenser cardioid microphone capsules arranged in a tetrahedral array to record the entire spherical sound field. Every sound, every direction, perfectly. Created in-house at RØDE’s Sydney HQ, the TF-45C is machined to tolerances of less than 1 micron in our state-of-the-art fabrication facilities. The result is a capsule with breathtaking clarity, sonic purity and exceptionally low noise.
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- Revolutionary acoustic design, delivering a natural, uncoloured sound.
- Extremely lightweight (just 76g), and short in length (just 203mm)
- Tailored frequency response and very low self-noise of just 10dBA
- Highly directional supercardioid polar pattern and smooth off-axis response
- RF-bias technology and conformal coating ensure superior performance in adverse environmental conditions
- Comes in a complete location recording kit with WS10 windshield, PG2-R pistol grip and other accessories
NTG5 SPECIFICATIONS
ACOUSTIC & ELECTRICAL SPECIFICATIONS
Acoustic Principle | RF-bias condenser |
Active Electronics | RF-bias demodulation |
Polar Pattern | Supercardioid shotgun |
Frequency Range | 20 Hz – 20 kHz |
Frequency Response | 80 Hz - 20 kHz ±3 dB |
Output Impedance | 25 Ω |
Signal to noise Ratio | 84 dB |
Equivalent Noise | 10 dB SPL (A-weighted, as per IEC651) |
Input SPL @ 1% THD | 130 dB SPL (1kHz @ 1% THD, 600 Ω load) |
Power Requirements | 2 mA @ 48V phantom power |
Sensitivity | -23.5 dB re. 1 Volt/Pascal or Better (66 mV @ 94 dB SPL @ 1 kHz) |
MECHANICAL SPECIFICATIONS
Dimensions (L x W x H, mm) | NTG5: 203 x 19 PG2-R:117 x 60 x 240 |
Weight (g) | NTG5: 76g PG2-R: 224g |
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Rode VideoMic NTG
- Revolutionary acoustic design, delivering unmatched acoustic transparency and a natural, uncoloured sound.
- Highly directional supercardioid polar pattern and very flat frequency response
- Unique infinitely variable gain control
- Auto-sensing 3.5mm output interacts seamlessly with both cameras and mobile devices
- Class-compliant USB-C output with headphone output for seamless audio monitoring
- Digital switching – controls high-pass filter, pad, high frequency boost, and safety channel
- dB peak warning light
- Internal rechargeable lithium-ion battery provides 30+ hours of recording, charges via USB-C
- High-quality Rycote® Lyre® shock mounting with cable management and a sliding rail to adjust mic placement on a camera cold shoe.
- Lightweight (94g) and rugged aerospace-grade aluminium construction
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Rode wireless GO
Wireless GO
COMPACT WIRELESS MICROPHONE SYSTEM
The Wireless GO is an ultra-compact wireless microphone system that is unique in its clip’n’go versatility and incredibly compact form-factor. The transmitter features an in-built omnidirectional condenser capsule and can be used as a clip-on mic or with a RØDE lavalier, sending crystal-clear, broadcast-grade audio via 2.4GHz digital transmission to the on-camera receiver. It’s the perfect wireless mic solution for content creators in all disciplines: filmmakers, on-camera presenters, newsgatherers, vloggers and more.
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Rode Wireless GO II
- Dual channel wireless microphone system for recording two sound sources simultaneously
- Series IV 2.4GHz digital transmission, 128-bit encryption – crystal-clear audio at up to 200m (line of sight), optimised for extremely stable operation in dense RF environments
- 3.5mm TRS analog output, USB-C and iOS digital output – universal compatibility with cameras, mobile devices and computers
- On-board recording – over 40 hours of internal memory
- Option to record each channel separately or combine them for ultimate flexibility in post-production
- Safety channel, flexible gain control (three-stage pad, expandable to 10-stage)
- In-built rechargeable lithium-ion battery – up to 7 hours battery life
- Designed and made in RØDE’s precision manufacturing facilities in Australia
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Audio-Technica AT2020 Cardioid Condenser Microphone
- The price/performance standard in side-address studio condenser microphone technology
- Ideal for project/home-studio applications
- Rugged construction for durable performance and wide dynamic range provide unmatched versatility for various scenes.
- Specially designed diaphragm provides a wide range of frequency characteristics and superior trasient response.
- Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source.
- Includes a stand mount for easy and precise placement of the microphone.
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Steinberg UR44C 6×4 USB 3.0 Audio Interface with Cubase
- ndustry leading converters providing up to 32-bit/192 kHz audio resolution
- Super speed USB 3. 1 Gen 1 with USB-C for fast and reliable Connectivity to Mac, PC, and iOS devices
- Class-a D-PRE mic preamps to capture all the subtleties and expressiveness of any audio source
- Dspmixfx application for zero-latency monitoring with effects for every DAW
- Compatible with all major audio software, supports: ASIO, core audio, or WDM
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Steinberg UR22C 2 X 2 USB 3.0 Audio Interface
With the UR22 mkII you can use on your laptop or iPad Music in studio quality recording and composing. The compact USB audio interface offers a in its price class outstanding audio and manufacturing quality. Selected components with extensive connect…
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ADAM Audio A3X 25W Powered Studio Monitor
- Crystal clear music reproduction
- Suited for all environments where space is limited
- Dual ports provide low frequency response down to 60Hz
- Two built-in 25-Watt amplifiers
- Tweeter gain control
- Balanced (XLR) jacks and unbalanced (RCA) jacks
- Frequency response: 60 Hz – 50 kHz
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