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2-In/2-Out 24/192 USB Audio/MIDI Interface
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- 24-bit/192kHz resolution for professional recording and monitoring
- Hi-Speed USB circuitry for fastest connection, with class-leading round-trip latency of 2.59ms*
- Transparent Crystal™ preamps and ultra-pristine A/D converters for unsurpassed audio recording quality
- VU LED meters for dialing in the perfect level
- Flexible inputs: (2) XLR+¼” TRS combo or ¼” instrument inputs
- Use any combination of TRS combo or ¼” instrument input on the two channels:(2) TRS, (2) instrument or (1) of each
- 5-pin MIDI input/output for connecting virtually any external MIDI gear
- Stereo ¼” outs; ¼” headphone out with independent level control
- Rugged metal chassis; large central control for easy volume adjustment
- USB/Direct knob for balancing between the input signal and the computer signal
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M-Audio M-Track Duo
- 2-Channel USB recording interface for Mac and PC
- (2) Combo inputs with Crystal Preamps amazing audio quality
- Dedicated switches to enable any microphone, instrument, or line level device
- +48V phantom power for connecting studio condenser microphones
- Stereo 1/4” outs; 1/4” headphone out with independent level controls
- USB/Direct Mono/Direct Stereo switch for monitoring mic, line or instrument inputs in stereo or mono
- Included - Pro Tools | First M-Audio Edition, MPC Beats, AIR Music Tech Xpand!2, Eleven Light guitar amp plugins and 20 Avid effects
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- 2-Channel USB recording interface for Mac and PC
- (1) Combo input with Crystal Preamp for amazing audio quality
- +48V phantom power for connecting studio condenser microphones
- Dedicated instrument input for guitar or bass
- Stereo line input for connecting digital piano, keyboard and more!
- 1/8” headphone and RCA stereo outputs provide easy monitoring
- USB/Direct switch for listening to the input signal or the computer signal
- Software bundle, including: Pro Tools | First M-Audio Edition, MPC Beats, AIR Music Tech Xpand!2, Eleven Lite guitar amp plugin and 20 AVID plugin effects
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Acoustic Principle | Pressure Gradient |
Active Electronics | JFET impedance converter |
Capsule | 0.50" |
Polar Pattern | |
Address Type | End |
Frequency Range | 40Hz - 20kHz |
Output Impedance | 200Ω |
Maximum SPL | 134dBSPL |
Sensitivity | -38.0dB re 1 Volt/Pascal (12.60mV @ 94 dB SPL) +/- 2 dB @ 1kHz |
Equivalent Noise Level (A-weighted) | 20dBA |
Power Options | |
Weight | 288.00g |
Dimensions | 65.00mmH x 102.00mmW x 170.00mmD |
Output | |
Warranty | 1 year with free extension to 10 years following registration here |
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- Broadcast sound quality
- Low noise circuitry
- Internal rechargeable lithium battery, supplying over 150 hours operation
- Fully charged in under two hours via MicroUSB
- Rugged metal construction
- Convenient digital switching
- High Frequency Boost
- High Pass Filter (Flat/75Hz)
- PAD (-10db)
- MicroUSB cable included
- 10 year extended warranty when you register your microphone
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Acoustic Principle | Line Gradient |
Capsule | 0.50" |
Polar Pattern | |
Address Type | End |
Frequency Range | 20Hz - 20kHz (selected HPF @75Hz) |
Output Impedance | 200Ω |
Maximum SPL | 135dBSPL |
Sensitivity | -32.0dB re 1 Volt/Pascal (25.00mV @ 94 dB SPL) +/- 2 dB @ 1kHz |
Equivalent Noise Level (A-weighted) | 16dBA |
Power Options | |
Weight | 126g |
Dimensions | 225mmH x 22mmW x 22mmD |
Output | |
Warranty | 1 year with free extension to 10 years following registration here |
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Acoustic Principle | Line Gradient |
Active Electronics | JFET impedance converter |
Capsule | 0.50" |
Address Type | End |
Frequency Range | 40Hz - 20kHz (selected HPF @80) |
Output Impedance | 200Ω |
Maximum SPL | 134dBSPL |
Maximum Output Level | 6.9mV (@ 1kHz, 1% THD into 1KΩ load) |
Sensitivity | -32.0dB re 1 Volt/Pascal (20.00mV @ 94 dB SPL) +/- 2 dB @ 1kHz |
Equivalent Noise Level (A-weighted) | 14dBA |
Weight | 85g |
Dimensions | 100mmH x 75mmW x 170mmD |
Warranty | 1 year with free extension to 10 years following registration here |
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Acoustic Principle | Pressure Gradient |
Active Electronics | JFET impedance converter |
Capsule | 0.50" |
Polar Pattern | |
Address Type | End |
Frequency Range | 40Hz - 20kHz |
Output Impedance | 200Ω |
Maximum SPL | 143dBSPL |
Sensitivity | -32.0dB re 1 Volt/Pascal (25.00mV @ 94 dB SPL) +/- 2 dB @ 1kHz |
Equivalent Noise Level (A-weighted) | 12dBA |
Power Options | |
Weight | 300g |
Dimensions | 102mmH x 118mmW x 100mmD |
Output | |
Warranty | 1 year with free extension to 10 years following registration here |
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Acoustic Principle | Pressure Gradient |
Active Electronics | JFET impedance converter |
Capsule | 0.50" |
Address Type | End |
Frequency Range | 40Hz - 20kHz |
Output Impedance | 200Ω |
Maximum SPL | 134dBSPL |
Sensitivity | -38.0dB re 1 Volt/Pascal (12.60mV @ 94 dB SPL) +/- 2 dB @ 1kHz |
Equivalent Noise Level (A-weighted) | 18dBA |
Weight | 116g |
Dimensions | 134mmH x 80mmW x 115mmD |
Warranty | 1 year with free extension to 10 years following registration here |
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Acoustic Principle Line Gradient Active Electronics JFET impedance converter Capsule 0.55" Polar Pattern Address Type End Frequency Range 20Hz - 20kHz (selected HPF @75Hz/150Hz) Output Impedance 200Ω Maximum SPL 133dBSPL Maximum Output Level 7.7dBu (@ 1kHz, 1% THD into 1KΩ load) Sensitivity -33.6dB re 1 Volt/Pascal (21.20mV @ 94 dB SPL) +/- 2 dB @ 1kHz Equivalent Noise Level (A-weighted) 14dBA Power Options Weight 122g Dimensions 111mmH x 66mmW x 170mmD Output Warranty 1 year with free extension to 10 years following registration here
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The SoundField by RØDE NT-SF1 is a peerless ambisonic microphone that captures broadcast quality 360° surround sound (with height) in A-Format™ on four separate tracks. It is the first collaboration between the pioneering ambisonic brand SoundField (which invented the first commercial ambisonic microphone) and RØDE Microphones.
Precision manufactured from solid brass, the NT-SF1 uses four RØDE TF-45C ½” true-condenser cardioid microphone capsules arranged in a tetrahedral array to record the entire spherical sound field. Every sound, every direction, perfectly. Created in-house at RØDE’s Sydney HQ, the TF-45C is machined to tolerances of less than 1 micron in our state-of-the-art fabrication facilities. The result is a capsule with breathtaking clarity, sonic purity and exceptionally low noise.
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- Revolutionary acoustic design, delivering a natural, uncoloured sound.
- Extremely lightweight (just 76g), and short in length (just 203mm)
- Tailored frequency response and very low self-noise of just 10dBA
- Highly directional supercardioid polar pattern and smooth off-axis response
- RF-bias technology and conformal coating ensure superior performance in adverse environmental conditions
- Comes in a complete location recording kit with WS10 windshield, PG2-R pistol grip and other accessories
NTG5 SPECIFICATIONS
ACOUSTIC & ELECTRICAL SPECIFICATIONS
Acoustic Principle | RF-bias condenser |
Active Electronics | RF-bias demodulation |
Polar Pattern | Supercardioid shotgun |
Frequency Range | 20 Hz – 20 kHz |
Frequency Response | 80 Hz - 20 kHz ±3 dB |
Output Impedance | 25 Ω |
Signal to noise Ratio | 84 dB |
Equivalent Noise | 10 dB SPL (A-weighted, as per IEC651) |
Input SPL @ 1% THD | 130 dB SPL (1kHz @ 1% THD, 600 Ω load) |
Power Requirements | 2 mA @ 48V phantom power |
Sensitivity | -23.5 dB re. 1 Volt/Pascal or Better (66 mV @ 94 dB SPL @ 1 kHz) |
MECHANICAL SPECIFICATIONS
Dimensions (L x W x H, mm) | NTG5: 203 x 19 PG2-R:117 x 60 x 240 |
Weight (g) | NTG5: 76g PG2-R: 224g |
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Rode VideoMic NTG
- Revolutionary acoustic design, delivering unmatched acoustic transparency and a natural, uncoloured sound.
- Highly directional supercardioid polar pattern and very flat frequency response
- Unique infinitely variable gain control
- Auto-sensing 3.5mm output interacts seamlessly with both cameras and mobile devices
- Class-compliant USB-C output with headphone output for seamless audio monitoring
- Digital switching – controls high-pass filter, pad, high frequency boost, and safety channel
- dB peak warning light
- Internal rechargeable lithium-ion battery provides 30+ hours of recording, charges via USB-C
- High-quality Rycote® Lyre® shock mounting with cable management and a sliding rail to adjust mic placement on a camera cold shoe.
- Lightweight (94g) and rugged aerospace-grade aluminium construction
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Rode wireless GO
Wireless GO
COMPACT WIRELESS MICROPHONE SYSTEM
The Wireless GO is an ultra-compact wireless microphone system that is unique in its clip’n’go versatility and incredibly compact form-factor. The transmitter features an in-built omnidirectional condenser capsule and can be used as a clip-on mic or with a RØDE lavalier, sending crystal-clear, broadcast-grade audio via 2.4GHz digital transmission to the on-camera receiver. It’s the perfect wireless mic solution for content creators in all disciplines: filmmakers, on-camera presenters, newsgatherers, vloggers and more.
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Rode Wireless GO II
- Dual channel wireless microphone system for recording two sound sources simultaneously
- Series IV 2.4GHz digital transmission, 128-bit encryption – crystal-clear audio at up to 200m (line of sight), optimised for extremely stable operation in dense RF environments
- 3.5mm TRS analog output, USB-C and iOS digital output – universal compatibility with cameras, mobile devices and computers
- On-board recording – over 40 hours of internal memory
- Option to record each channel separately or combine them for ultimate flexibility in post-production
- Safety channel, flexible gain control (three-stage pad, expandable to 10-stage)
- In-built rechargeable lithium-ion battery – up to 7 hours battery life
- Designed and made in RØDE’s precision manufacturing facilities in Australia
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- Stepped Knobs Ensure Repeatability
- Passive Inductor-Based EQ
- 4 Bands of Parametric EQ per Channel
- Switchable Shelf EQ with Bandwidth Shape
- Hand-Selected Vacuum Tubes
- Hand-Wound Output Transformers
- Parallel Symmetrical Topology
- Auto Warm-Up Delay: 20 Seconds
- Bright Blue LEDs for Active Functions
- 3U Rackmount
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